These past few weeks I've been focused on a couple of different art openings. First was Young's show "taDA tiDA" in Sukran's gallery in Poughkeepsie. The installation was a multimedia assortment of large paintings, fabric "octopi" (quadrapi, actually) stretched across the gallery from the corners, and a couple of sculptures involving stove pipes and bandaged heads.
"taDA tiDA I"
"Zen Rock Garden"
Young arranged for a charter bus to bring people up from New York City and the opening was well attended by friends, other artists, the mayor of Poughkeepsie....and some of my homeless friends that I invited in---Marty, Jeff, and Chris. Jeff was last seen heading out the door with half of the chicken drumstick platter.
Then came Cigdem's art show at the famous Chelsea Hotel. It was a large multi-artist event called "Art Attack" with various artists displaying their work in rooms scattered all over the hotel. Cigdem's work was titled "Sliced" and involved a large fabric "sausage" stuffed with all sorts of colorful materials and then sliced into circular sections with an electric saw. These circular sections were displayed across the bed as a video of the slicing process played behind them. Also, draped across and down the wall was "Art by the Yard", a long multimedia piece involving all sorts of eclectic items sewn to a piece of fabric. The overall effect on the room was quite beautiful---a colorful flight of fantasy. I was hoping to post pictures of both shows, but I haven't received photos from Cigdem yet.
Two nights ago we finally finished with the de-installation of Young's show, repainting much of the gallery. Throughout this whole process, they have been feeding me exceedingly well and Young even took me to the musical "Wicked". (The show was great, even if it was quite different from the book, a story rife with powerful symbolism and ambiguity.)
This next part is a bit difficult to write, but it has colored so much of my experience these past few weeks that I feel it's important to include. One of the people I have been interacting a lot with lately (not the artists) is extremely confrontational, even verbally abusive. (I feel that it is also important to point out that she has been very generous to me too. Besides helping me out directly, she also introduced me to my new friends here in New York City.) For the most part, I have been attempting to remain calm and peaceful in the face of her attacks, but one day when I went to help her clean up her house she heaped so much screaming criticism and abuse on me that I finally reached my limit and exploded back at her and then walked off.
It was all so very humbling to realize that my emotional reaction was so un-monk-like and that I was so far from my ideal of a free person who calmly lets abuse wash over him, unfazed by it all. Of course, there's the attending question of how to balance in "skillful means", for it does not really serve her to continually bow down to her abuse like everyone else around her. Of course, to point out her inappropriate behavior in a compassionate and graceful way is the crux of the matter.
All spiritual traditions address the liberating possibilities inherent in interactions with abusive people. The Buddha was once approached by a detractor who sought to unnerve him by hurling insults at him. The Buddha calmly responded, "Your insults are like gifts that I can choose not to unwrap." (Perhaps I am remembering this slightly incorrectly---I'm not sure they wrapped gifts in the Buddha's time. He might have said "...that I can choose to leave by the door.")
In his book
A Path with Heart, Jack Kornfield relates this story:
The Christian Desert Fathers tell of a new student who was commanded by his master that for three years he must give money to everyone who insulted him. When this period of trial was over, the master said, "Now you can go to Alexandria and truly learn wisdom." When the student entered Alexandria, he met a certain wise man whose way of teaching was to sit at the city gate insulting everyone who came and went. He naturally insulted the student also, who immediately burst out laughing.
"Why do you laugh when I insult you?" asked the wise man.
"Because," replied the student, "for years I've been paying for this kind of thing, and now you give it to me for free!"
"Enter the city," said the wise man. "It is all yours."
There is a story that is often told about the mystic G.I. Gurdjieff and a particularly difficult man who was staying at one of Gurdjieff's communities of students. This fellow apparently caused so many problems and conflicts with the other students that they eventually drove him out of the community. Realizing the great potential for his students to learn from these conflicts, Gurdjieff went after the man and offered to pay him to come back and continue living at the community.
Or perhaps Pastor Rick said it simplest back in my
Gospel of Louie blog entry: “Contentment happens when you no longer have any buttons for anyone to push.”
So it is well into October now and I'm reveling in these gorgeous sunny cool days of Fall. The foliage along the Taconic State Parkway (our well-used route up to Poughkeepsie) is gradually changing into beautiful yellow, orange, and red Autumn apparel. It's starting to get colder and I'll need to get warmer clothes too. My robes are a bit faded and worn, but they're holding up okay.
I have had a wonderful time here in the Big Apple, especially with my new friends, but it's time to be moving on. The road beckons and New Jersey looms on the horizon across the Hudson River. I'm not exactly sure yet how I'm gonna get there. We'll burn that bridge when we get to it.
"I'm really glad your parents made it to the show. I think your mother really understands me now."
---a female artist to her boyfriend, regarding her multimedia "exhibition" of work featuring her doing various extremely graphic sexual acts